A Game of Thrones – George R R Martin – [Book Review]

Before you start, I know I’m a bit late to the party on this one, but I bought a copy of Game of Thrones because I’m a fan of the show and wanted to read the original work from which it sprang. I’d been told about its narrative structure, too, and wanted to see how it was handled, as multi-viewpoint third-person is how I’ve set my own work.

For those unaware, each chapter in Game of Thrones bears the name of the character it follows (which results in a contents page that looks like a goldfish trying to name all the protagonists).

The problem with coming back to evaluate a story having seen the TV series is, all the characters already have faces – Peter Dinklage will always be Tyrion in my head, Sean Bean will always play Eddard. There’s no imagination involved because those roles have already been filled by HBO.

Similarly, there are no surprises. The first series followed the first book down to the last scene. My friend tells me the show diverts from the books more in later seasons, and outright cuts many characters from the narrative, but this first book is practically the first season’s screenplay. Apart from, of course, this page of differences, which includes nerd-facts like:

  • In the book, Jaime pushes Bran from the window with his right hand. In the show he uses his left hand.

Right. I can’t believe the filmmakers took such liberties.

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#Meanwhile… Choosing Which Criticism To Ignore

One of the crucial phases a writer goes through is garnering criticism from peers and beta readers, but when you’re putting your work out there, some degree of cynicism is essential.

Indeed, it is crucial for a writer to identify what advice to take and what advice to take with thanks as you slowly back away, holding their notes to your chest, before bidding them farewell, closing the door, and shoving the toxic lot in the bin. And setting it on fire.

Seriously though, it’s a skill. Every writer needs to master it, else you’ll either disregard everything and never improve, or end up writing by committee – and NOBODY wants that.

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LE Henderson has an excellent post on her blog Passionate Reason about the Seven Types of Writing Criticism to Ignore.

Enjoy.

Twitter culls – the naked truth

Last year, having read illustrious articles like “How To Expand Your Online Reach”, and “Develop Your Author Platform Or Suffer Anonymity!”, or even “12 Routes to Achieving Online Omnipotence”, I made the foolhardy choice to follow every bloody writer on Twitter I could find, in the hope they’d follow me back.

Surely, with ONE BILLION FOLLOWERS, I’d be drowning in engagements and impressions and all those magical metrics of modern life!

It worked, to an extent. I’d post a blog, pin a link to my Twitter profile, then follow 50 writers I could find using hashtags or bio searches. Maybe two thirds of those would follow me back.

A week later, I’d do the same thing, but then unfollow anyone who hadn’t had the GOOD BLOODY GRACE to follow me back – the ungrateful gets.

Continue reading Twitter culls – the naked truth

#Meanwhile… Strong Female Characters

For those of you who don’t know, audiences have been crying out for “strong female characters” for years now, and we’ve been treated to ever stronger and more kick-ass women on screen since. But is beating men to a pulp and cutting off their cocks really what critics were calling for?

Not exactly, according to the blog Jo Writes Stuff.

In her excellent and ongoing series, Jo takes fictional female characters and puts them through the grinder: her self-devised, 10-question assessment.

  1. Does the character shape her own destiny? Does she actively try to change her situation and if not, why not?
  2. Does she have her own goals, beliefs and hobbies? Did she come up with them on her own?
  3. Is her character consistent? Do her personality or skills change as the plot demands?
  4. Can you describe her in one short sentence without mentioning her love life, her physical appearance, or the words ‘strong female character’?
  5. Does she make decisions that aren’t influenced by her love life?
  6. Does she develop over the course of the story?
  7. Does she have a weakness?
  8. Does she influence the plot without getting captured or killed?
  9. How does she relate to stereotypes about gender?
  10. How does she relate to other female characters?

I came across her blog when Scarlet Johannson’s portrayal of Black Widow had won so many plaudits for being one such Strong Female Character she was to star in her own Avengers movie; but to me, she’d seemed utterly at odds with the idea of feminist depth, bemoaning her scars and referring to herself as a monster for her inability to bear child.

Lo, Jo had given Black Widow the 10-question treatment, and this is what she found.

Here’s a list of all the others. Her examination of Trinity is particularly good.

Seven words I learned reading the sport section

To obtain a strong vocabulary, we need but two things: the desire to read and the desire to learn.

However, all too often I gloss over words I don’t know, confident with the thrust of the sentence to assume meaning from inference. If you take the time just to quickly look them up – and how easy that is in this day and age – you can fill your mind from the word-well.

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