Tag Archives: writingtips

#NaNoWriMo taught me how to pummel the page full of words

Yeah, that’s right Inner Demons – you were wrong about me. All that hopelessness and doubt you whispered in my ear was baseless baloney. You’re like the Breitbart of my mind – telling me everything is awful and finding people to blame other than myself.

Well eat this, you Pessimistic Pixies!

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Read it and weep, you Imps of Uncertainty. I came at this challenge unprepared and you told me to quit at every turn, telling me “You didn’t have time to prepare!” – “Sack it off and do it properly next year!” – “50,000 words is impossible with a full-time job!”

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15 lessons learned from my 1st #NaNoWriMo

I decided to have a crack at the National Novel Writing Month challenge this November. I’ve written 13,400 words in seven days. And like every other writer with a blog, I felt compelled to regale my experience in a jovial list format. So, buckle up, list fans. It’s time to get jovial.

1.) Holy fucking jeebus, trying to write a 50,000-word novel in 30 days is A LOT BLOODY HARDER THAN IT SOUNDS. I’m serious, break it down: 1,667 words each day… every day… for 30 days. Even on my most productive days writing Citadel, I was hitting 1,500 in a day, once every couple of months. Now I have to pull that out of my arse EVERY SINGLE DAY, with no respite, lest I need to play catch-up.

2.) For all that is good and holy, plan your bastard project with more than 24 hours’ notice. I committed to NaNoWriMo on the 31st October, and whipped up the most cursory plot to a book that’s been hibernating in my mind for some time. At least twice I’ve come up against a wall of incongruity, which might well have been avoided had I given the bloody thing more than two thoughts.

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How The Walking Dead finally lost me

This analysis contains spoilers!

When a friend first introduced me to The Walking Dead, I was hooked from the first episode – nay, the first five minutes. Its abrupt 28 Days Later-style beginning leant mystery to the zombie apocalypse ordeal, as gun-slinging cop Rick sought to fill in the gaps of how the world turned to shit, and find his family.

There’s a tremendous amount of agency and conflict in the early seasons, fuelled by human drama and complicated relationships. The awkward love triangle between Rick, his grieving wife Lori and his best friend and romantic usurper, Shane – the head-scratching hick – carried the show for the first two years.

That glorious first season gave our intrepid survivors something to do, besides staying alive; namely, seek out possibilities of a cure, or find a military base to hole up in. But when those elements were dropped with the destruction of the research bunker, events began to lose their pace and urgency.

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What a writing journal can teach you about productivity

This week, I reached 115,000 words on my novel. I’m three and a half chapters from the end, on the home stretch, and already dreading the editing.Since October 2015, I’ve been tracking my progress with a writing journal, in which I record the time of each session, its duration, the number of words written and what chapter I was working on. A year later, I’m up to my eyeballs in data, and can draw some enlightening conclusions therein.

But first, a graph! Gadzooks!

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As you can see, there are a number of lulls in productivity, loosely matching life events: Christmas in December, getting married and going on honeymoon in April, and being on holiday in August. Oddly, it is my holiday time that I’m at my least productive.

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#Meanwhile… Choosing Which Criticism To Ignore

One of the crucial phases a writer goes through is garnering criticism from peers and beta readers, but when you’re putting your work out there, some degree of cynicism is essential.

Indeed, it is crucial for a writer to identify what advice to take and what advice to take with thanks as you slowly back away, holding their notes to your chest, before bidding them farewell, closing the door, and shoving the toxic lot in the bin. And setting it on fire.

Seriously though, it’s a skill. Every writer needs to master it, else you’ll either disregard everything and never improve, or end up writing by committee – and NOBODY wants that.

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LE Henderson has an excellent post on her blog Passionate Reason about the Seven Types of Writing Criticism to Ignore.

Enjoy.

Twitter culls – the naked truth

Last year, having read illustrious articles like “How To Expand Your Online Reach”, and “Develop Your Author Platform Or Suffer Anonymity!”, or even “12 Routes to Achieving Online Omnipotence”, I made the foolhardy choice to follow every bloody writer on Twitter I could find, in the hope they’d follow me back.

Surely, with ONE BILLION FOLLOWERS, I’d be drowning in engagements and impressions and all those magical metrics of modern life!

It worked, to an extent. I’d post a blog, pin a link to my Twitter profile, then follow 50 writers I could find using hashtags or bio searches. Maybe two thirds of those would follow me back.

A week later, I’d do the same thing, but then unfollow anyone who hadn’t had the GOOD BLOODY GRACE to follow me back – the ungrateful gets.

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#Meanwhile… Strong Female Characters

For those of you who don’t know, audiences have been crying out for “strong female characters” for years now, and we’ve been treated to ever stronger and more kick-ass women on screen since. But is beating men to a pulp and cutting off their cocks really what critics were calling for?

Not exactly, according to the blog Jo Writes Stuff.

In her excellent and ongoing series, Jo takes fictional female characters and puts them through the grinder: her self-devised, 10-question assessment.

  1. Does the character shape her own destiny? Does she actively try to change her situation and if not, why not?
  2. Does she have her own goals, beliefs and hobbies? Did she come up with them on her own?
  3. Is her character consistent? Do her personality or skills change as the plot demands?
  4. Can you describe her in one short sentence without mentioning her love life, her physical appearance, or the words ‘strong female character’?
  5. Does she make decisions that aren’t influenced by her love life?
  6. Does she develop over the course of the story?
  7. Does she have a weakness?
  8. Does she influence the plot without getting captured or killed?
  9. How does she relate to stereotypes about gender?
  10. How does she relate to other female characters?

I came across her blog when Scarlet Johannson’s portrayal of Black Widow had won so many plaudits for being one such Strong Female Character she was to star in her own Avengers movie; but to me, she’d seemed utterly at odds with the idea of feminist depth, bemoaning her scars and referring to herself as a monster for her inability to bear child.

Lo, Jo had given Black Widow the 10-question treatment, and this is what she found.

Here’s a list of all the others. Her examination of Trinity is particularly good.

Seven words I learned reading the sport section

To obtain a strong vocabulary, we need but two things: the desire to read and the desire to learn.

However, all too often I gloss over words I don’t know, confident with the thrust of the sentence to assume meaning from inference. If you take the time just to quickly look them up – and how easy that is in this day and age – you can fill your mind from the word-well.

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#Meanwhile… Strong Writing Made Easier

Starting today, I’m going to be devoting Fridays to fellow bloggers I discover on these here internetz. You may not believe it, but sometimes other people have already said it better than me – yup. I know.

So, strap yourselves in, you writerly, readerly bastards, for here’s the first instalment of my #Meanwhile series…

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Head hopping – that most derided of narrative blunders

When I was about six years old, one thing scared me above all others – watching my brother play Aliens on the Commodore 64. It was terrifying, and I remember it vividly to this day. Sure, the graphics don’t exactly cut the mustard these days, but in 1988, it was the stuff of nightmares.

Two things about that game got me hiding behind furniture. The first was the sound of the motion tracker beeping quietly when an alien was nearby, rising to a continuous klaxon when one was in sight, as my brother panicked to move the cross-hair over the attacking monster.

But whenever I mustered the courage to have a go myself, it was the game’s central mechanic that got my skin tingling with fear. The player takes control of Ripley and the marines Hicks, Gorman, Vasquez, as well as the android Bishop and heartless corporate stooge Burke, all at the same time. Not that the characters had specific traits. They were just conduits for terror.

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